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Diane Arbus is an American photographer famed for documenting the underbelly of society in an unnerving yet intimate way, but were her strange portraits a lesson in empathy or an extension of her narcissism? Diane Arbus was a photographer based in New York City in the s and was best known for her unnerving black and white portraits. Her work unsettled people then just as it does now. Through her work she expressed her own emotions, and often portrayed emotion that other artists at the time were not sure how to depict. Just as with many other artists, her career and subject choice stemmed from an unusual upbringing. Diane Arbus grew up in the midst of the Great Depression but was sheltered from its harsh effects by her wealthy family.

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Fur: An Imaginary Portrait of Diane Arbus Movie Review | Common Sense Media

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Fur: An Imaginary Portrait of Diane Arbus

But she would never plunge into the crowd like the rest of us who were all going for a sense of immediacy, of grabbing on to the entire vista—we wanted to record the action. On assignment, in competition with other mostly male photographers, Diane could turn colder or more aggressive. And she would wait outside a place for hours in any kind of weather to get the kind of picture she wanted. Sometimes it seemed as if every event in the sixties had been organized for the benefit of TV and still photographers. So photographers were involved as never before in recording all this voracious hunger for publicity, for notoriety.

It stars Nicole Kidman as iconic American photographer Diane Arbus , who was known for her strange, disturbing images, and also features Robert Downey Jr. As the title implies, the film is largely fictional. The movie opens with Diane Arbus arriving to shoot pictures at a nudist colony.